Time Traveling

I received my Blue Gardenia package of vintage patterns, which I bought recently during the 30% off sale. Wow.

Those of you who know me well, know that I am endlessly fascinated by things of other eras. I love shopping for vintage clothes because I believe the pieces are invested with the experience of another time. Don't get me wrong. I'm not particularly nostalgic. I don't think that time is better than this time. But it was and there's an energetic current between then and now and I love the idea that those two times can merge in modernity.

Let's face it: modernity is just another word for tomorrow's olden days.

As I was filtering through the 8 zillion pattern's on Denise's site, I narrowed my search to those with a 36 or 37 inch bust; they had half size patterns back then, for petites, which is how one finds sizing in the odd sized bust measurement.

In truth, I'm not much into the 30s and 40s patterns. I do find some of them spectacular - and time was, the best vintage clothing you could find (and it was plentiful in the shops) was from the 40s. But I always feel I'm playing to type in the 40s silhouette.

I kept it to the 50s, 60s and 70s, searching for wearable items. Nothing frothy and delicious, but with limited application. I intend to bring these garments to life on a regular basis.

So, let's get started on the tour, yes? Today we'll focus on the earliest patterns I purchased.

The Fifties:

McCall's 9805, from 1954, will assist me in my very firm intention to resuscitate the culotte. Not as silly as a skirt, not as intense as a pair of pants, culottes are the perfect solution for a day on the town! They look great with boots, in a winter fabric. Cute with a short heel sandal or ballerina flats in spring and summer. They have not gone out of fashion. They've just been sleeping in the recesses of our collective memory. Admit it: you want some!

Intriguingly, this pattern is from the first wave of those made with printed pieces (see The First Printed Pattern imprint). Before this, pieces were made with perforations to delineate instructions. As I am, frankly, afraid of those, this is my kind of 50's pattern.

It's starting to occur to me that I was so fixated on getting the right bust size, that I didn't pay any attention to the corollary waist and hip sizes. Fortunately in this pattern, the waist is 30" and the hips are 39". Alas, for the dress below, the waist is 28". Gonna have to work on that.

Butterick 8628, also from the 50s though the precise year is not identified, is another printed pattern, a whimsical "quick 'n easy" day dress. Oh, look, it's got a cowl neck. What a surprise! While "quick 'n easy" - it's not "light on fabric". This thing takes 6 yards of 35" width. (There's no mention of 60" width fabric on the envelope. Did it even exist, back then?) The dress has a waist stay, which seems very authentic.

The bodice is cut on the bias, the way many cowl neck bodices are. Intriguingly, the construction of this bodice is exactly the same as that on Vogue 8413, the dress I intend to make from the Spring Basics Palette.

Do you suppose one has to wear a crinoline (or some kind of voluminous slip) to get the skirt to fall that way?

What do you think of these? Which do you prefer? Do you have anything to add about the pedigree of these? Have you had the pleasure to sew with vintage?

Next up, the 60s!

True Blue

OK, peeps, this is yet another post which capitalizes on everything blue - for starters a great sale that Ms. Denise of Blue Gardenia is hosting - but only from Jan. 15 - 17. If you are even thinking about buying a vintage pattern in the next few months, don't be crazy. Buy it then and save a lot! (Note: you do have to buy 3 patterns to get the discount but, trust me, it will take about 4 minutes to find the perfect 3. Her inventory is extensive!) I've got my eye on a slip pattern from the 70s- like I need another?! - and a 50s dress that happens to be petite (and it has a 37.5" bust). Um, that's just like me!

But let's focus on today's slip: the Blue Ruby:

Very Elizabeth Taylor, no?

You can just vaguely see the asymmetry in the lace on either side of the centre bust. Do you see how one side (right as you look at it) has embroidered leaves and the other side has star-shaped flowers?

I'd have modeled this on the dress form but its shoulders are too wide. I can get it over my head and boobs (just), but I've already damaged the silk (ugh) by trying to get it to conform to the shape of an inanimate form.

At any rate, here's what I can tell you about this version:

• The lace cost a lot of money. Probably too much.
• And I don't love it. It's too mesh-y, which means a) it's effectively weak and b) very starkly shows a bra underneath it. And you know I'm not wearing this without a bra.
  
• The pattern, asymmetry is almost indiscernible, however.
• I've decided that I'll only sew with denser lace in the future.
• Oh, apropos of stitching down the lace seams: this time I did press both seam allowances to one side before top stitching at 1/8". The lace was too transparent to do it differently. And this didn't add any bulk.
  
• The bra straps were actually pre-made. I got them from Bra-Makers Supply last year and what good fortune. I hate assembling hoops and sliders. Hurts my brain. Also, these straps are 1/2 inch, not 5/8 inch wide - which makes the slip look more delicate. I mean, they're not holding up any weight to speak of so that width is just fine. That the straps are black is actually handy. Since I'll likely wear the slip with a black bra underneath, I'd prefer not to have 2 diff shades of straps to contend with.
  
• The silk skirt is beautiful and fits perfectly. Alas, the handkerchief hem didn't go so well. It looks great from the right side (see photo above), but the inside looks a bit gerbil-sewn.
• Once again, I top stitched (under stitched) the bodice seam allowance to the slip. But this time I didn't first serge that seam. It was too narrow.
• Here's something I didn't mention the last time, but it's germane: Because I increased the length of the bodice, the scalloped lace is now too high under my arm pit. I'm going to have to shape the pieces that abut under the arm so that they don't do this again. Not exactly sure how I'm going to accomplish this.

All this being said, I think it's a pretty good second effort. I'm glad I didn't use cheap materials. You can really feel the luxury of these fabrics.

I really do think that, for a woman of ample bust, the Ruby Slip gather bodice will be easier to fit. Silk charmeuse has a lot of natural give and I have a intuition that an underbust gather will "hug" the breasts (depending on their shape, and the gathers, natch). Silk is also stronger around the upper back and over the chest. Finally, it's easier to work a garment in one fabric, than in 2 disparate fabrics which meet a stress-bearing join. A decorative edge of lace is pretty, but not structurally integral.

As always, I welcome comments. Which of the 2 slips do you prefer? The shorter pink one? Or this one? I only wish I could present them in the same way for better comparison...

Check Me Out

I am fortunate enough to have been asked to complete a second interview with the fabulous, vintage pattern guru, Denise of The Blue Gardenia.

Please stop by and read about how I learned to sew, and other fascinating topics :-)

xo

I'm Famous

Rather fantastically, Denise identified me as a candidate for her Sewing Spaces series. I can't tell you how excited I am to have been included in this. It makes me feel so, well, special and sewing-relevant.

Please check out her wonderful blog (my interview is up now) - and please leave a comment on the post there. You know how I love to seem popular to the wonderful peeps who give me profile on their blogs :-)

Flowers and Sweetheart Necklines

In case you don't know about it (which would be shocking!), there's a fab blog called The Blue Gardenia, and its got the best giveaway evah! In truth, there are lots of great giveaways and I love them all, but this one kicks some serious ass.

And in a totally weird twist of fate, one piece of the giveaway (yes, it's a bundle of goodies), is the very dress that Gertie will be making in her next sew along.

It's my opinion that you should a) run over to The Blue Gardenia and leave a comment and then b) check out Gerties New Blog for Better Sewing and hope for the best. At a bare minimum, you'll have some great hours reading two fantastic sewing blogs.

Denise (write of The Blue Gardenia) has also captured an audience of sewists - and people who love design - with her "Sewing Spaces" feature. It's the basis of the post I wrote a while ago, wherein I profiled my sewga room. It's so voyeuristic-good to see the sewing studios of many sewing bloggers of note. And it's a great opp to learn about new sewing blogs too...