The Spring Suit: Some Pics of the (Almost) Finished Jacket

For starters, the jacket is finished, more or less (for deets, see below). Let's take a moment and be grateful about that because I won't have to think about it for a week or two, and you won't have to listen to my bitching anymore for a week or two (theoretically).

To forestall mutiny :-), here are some PREVIEW pics of the jacket. I still have to make the bottom part of the suit and a few adjustments to this jacket version and, really, I'm kind of ambivalent about it at the moment. I wasn't up to modeling it today.

The piece looks pretty meh on the dress form, which is too wide for it, so I thought it would be better to show it flat:

The buttons, while temporary, are very sweet. They're vintage - little roses.

Oooh, pretty lining (and bagged!)

Trust me, the buttonholes are very nice. They don't look it here, but you'll have to take my word.

Here's a shot of the sleeve facing where it meets the lining. I particularly love this part of the construction.

I won't lie - I'm conflicted about the Burda suit jacket. On the one hand, there are things about it I hate:

• the quality of the shell fabric (it actually looks cheap, horror!)

• the slightly-too-long 3/4 sleeves (um, I've spent 2 months on this thing - could they not have drafted it with full-length sleeves?)

On the other hand, there are things that I love:

• the lining fabric

• the way the lining falls in the shell garment

• the proportion of the altered lapels

• the placement of the sleeve in the armscye and the fit at the underarm (these were real liabilities, and hard to fix, so I'm proud to have largely resolved them). Intriguingly, while I worried as I was making this, that I'd altered the armscye "too high", once I clipped the extra fabric under the arm and inserted the lining, the fit became very pleasant - it provides mobility and adequate ease.

Then there is that catch-all basin of things that aren't great as they stand now, but might be alterable (in this version) - here's hoping or I've got bigger issues than I care to address:

• the placement of the upper button unit which lies against the body - it's causing weird pulling which, I guess, shouldn't surprise me overly as it isn't actually part of the original pattern design, but my ad hoc work-around to address excessive gaping above the one set of buttons that the pattern actually does instruct about.

• the external buttons - they're placeholders and I think they're too heavy for the fabric, and the wrong shape (lovely thought they are). I'm waiting on my self-fabric buttons from California. Here's hoping they fit the buttonholes I made in their absence. (I think I ordered the right size, but only time will tell... At least I have more fabric in a pinch.)

• the internal buttons - I forgot that the internal buttons on the left side (which I used to merely to stabilize and to provide a clean finish) are actually for use so I'm going to need to replace them with ones in the correct size to fit through the buttonholes. The current ones are too tiny - if cute (and they all match).

For all of this learning, and working, I still don't know if I like the finished design. It's vaguely, um, twee on me. And a bit boxier than I would have imagined given all the work I did to "hourglass it up".

I do suspect that this is one of those suit jackets than needs its counterpart (pants or skirt) in order to look its best. Alas, I can't confirm that till I make the skirt, which won't happen till this weekend. (Note: Even as I write this I am reminded of Clio's fantastic leather version which definitely goes with everything and requires no matching bottom. But leather is not fabric. And her version has a zipper and a peplum. In certain ways it's only notionally the same pattern.)

Insecurities and ambivalence aside, I do feel very satisfied with this process and by what I've achieved. I'm a MUCH better seamstress, tailor, pattern drafter, fitter, human being... I've learned skills I will not forget, things I'll bring into every future project I take on, such as the next version of this jacket which I suspect will begin at the beginning of May. (I need a bit of a break and my family really suffers when I do a project requiring so much engagement... I also need to wear this as much as possible over the next while, so that I can begin to understand it in motion.)

Next up, the pencil skirt - my standard, Vogue 8640. I intend to line this vented skirt (the pattern instructions don't include a lining) and to face the waist with petersham ribbon in a crazy contrast colour. (I am such a fashion bad ass!) Stupidly, I've managed to lose the incredibly useful package of notes, photos and instructions I created when I made this as part of the Tailored Suit project (the one with the Starlet suit jacket). Fortunately I have a soft copy of my basic instructions and I know which posts provided the required tutorials (thank you Sunni and Tasia).

When the skirt is done, I'll show off the whole suit in a formal photo shoot. Till then, hopefully these pics will have given you something to go on. Stay tuned for more about the skirt construction. Something tells me I'll have things to say about it.

Remember That Spring Suit?

You'd be forgiven for thinking that I've ditched the project altogether - and not merely my original jacket choice. (Hopefully, I'll be forgiven for my delinquency.)

One of the great things - side bar, but on point - about meeting the glamorous Clio a couple of days ago, is that she was able to give me some info about my new spring jacket pattern because she made the peplum version in leather (aka best project ever):

Burda 07/2010 118-119

 Would it kill them to photograph the jacket in such a way that you can see what's going on??

The technical drawing gives you a little bit more... FYI, in truth I'm confused at the moment. I don't know if I'm making the version with the zipper or the one with buttons. And I don't mean "I haven't decided". I mean, my fitting friend (aka "the nicest person on the planet") traced the pattern for me and it's only after I write this post that I'm going to go upstairs and see the pattern pieces for the first time, draw all of the seam lines and then make the muslin. So let's see what's coming! Happily, I love both options.

Clio did infer that it's one of those jackets that attracts men from far and wide. Mind you, she is so gorgeous, I'm sure she finds that happens wearing many outfits! And on the topic of outfits she wears - this dress really is as chic in person as it is in pics. Lest you think she's just a pretty face, we had great conversation about politics, work, careers and family. You know it's a good meet-up when you barely have a chance to speak of the hobbies that brought you together for all the other things you want to discuss.

I sense that I will redraft the lapels slightly. They are wide for someone of my proportions. Mind you, that's the joy of the muslin, yes? One gets to see how everything's been drafted and then to change it if she chooses.

As I was considering new jackets to make, I did come across a very exciting vintage option on Etsy. Yeah, I bought it (though it was a pricey, unprinted vintage pattern). It's not where I'm at for this project. I don't have the energy to learn about how to make a jacket with barely any instructions and no printed markings - especially given the complex tailoring involved, but I will post about it soon - cuz it's very lovely and who doesn't like to look at a pretty vintage pattern envelope?

In the meanwhile, today's questions: What do you think of Burda patterns (this will be my first)? What do you think of this jacket (very different from V8333, yes?)? Is Clio's version not a thing of beauty?? (I want to steal hers, say I made it and call it a day.) Let's talk!