And you know they were making all the newest things. Even the wives of young business tycoons-in-the-making probably couldn't have afforded the New Look (9-plus yards of fabric per tea dress?!) straight from France. Ready-to-wear wasn't the standard yet so, if you wanted something elegant and you couldn't afford a great tailor, it was on you and the Singer.
Imagine if you had lived early in the last century and really couldn't get with sewing. I mean, imagine you'd been trying since the age of 5 and you still couldn't wrap your brain around it. Imagine looking kind of like crap all the time as a result. Sort of makes you grateful for Club Monaco, no?
Anyway, enough of the tangent. Here I am, a modern lady, working with a vintage-feel Vogue pattern. It's a Vogue Very Easy (don't have a heart attack), and the experience has a retro feel. I've read that you don't fuck around with Vogue. The lazy sewist doesn't have a nice time with this line - the instructions are laborious, when they aren't lacking in detail (so I've heard). So far, I'm feeling alright, but then I've only got to the muslin:
Yeah, I made a whole fake garment, or 80 per cent so far anyway. Like I don't have about 30,000 other things to sew in my cache at the moment. I'm not big on the muslins (they're so painful prelude to a kiss) but a girl's gotta do what she's gotta do in order to assess fit. Of course, what I do to fix bad fit is more or less beyond me... (Everyone will tell you not to panic. There are books.)
I already have a hand-made high-waisted pencil skirt in the 3-season navy wool that I will use to make this final garment. Wouldn't it be great if they worked together like a suit? Wouldn't it be awesome if I actually made a suit? That would so impress the crap out of me.





