Spring into Action

Oh, I am somewhat overwhelmed by my imagination. So many ideas - not so much digital illustrating experience. And yet I want to show you what's in my mind the way that many other sewing bloggers do.

I also have this schizophrenic, if creative, perspective on my reasons for wanting to story board. That's the subject of another post. A really long post.

However, this post is to tell you that I intend to do a Spring Basics Palette over the next 12 weeks and here's what it will entail:

• 6 garments - 4 of which have been sewn with success before. This isn't about reinventing the wheel. It's about nicely finishing and newly interpreting some standards for a new season. The garments will include a dress, a skirt, a pair of pants, a t shirt, a top and a pair of lounge (aka yoga) pants. Pattern names and numbers will follow...

• A fun, digital, fashion story board to show colour schemes and renderings of those garments on my croquis - likely not the one I've shown you already, but a new one (traced from another photo) which is more sassy. Having never yet tried to paint clothes on top of my croquis, I have no idea of how this is actually going to work. Palette experts, you may be getting some emails.

I'm going to give more details as soon as I can pull them together but I'll leave you with a few thoughts:

• My colour choices are really whacky. I don't know if they'll cohere in a palette, though I'm not concerned that they won't cohere in my wardrobe.
• I've already bought the fabric for 3 of the pieces and I have the fabric for 2 others in my stash. That leaves one garment to purchase for, unless I have some changes of heart.
• I've spent about $150.00 on the fabric and notions for 3 of the 6 garments. The fabric I already purchased for the other 2 probably cost me $30.00. I speculate I will spend $200.00 and 6 weekends over the next 12 weeks to produce my spring wardrobe.
• I estimate I would have to spend upwards of $600.00 to purchase these items RTW. Of course, that would take about 2 hours.
• Recently, Peter wrote asked the interesting question "Are you a practical or fantasy sewer?" This didn't take more than a moment of consideration for me. I am practical. Of course, who can say if my version of practical is someone else's whimsical, but no mind. The Spring Basics Palette is so named because I anticipate the pieces to work interdependently - and day-to-day.
  

And to close the loop on the topic of the next version of the Ruby Slip and the fabric I've treated:

• I heard you all re: concerns about the properties of guipure. I went out today and bought 2 new types of mesh-based lace - one piece in a light navy and another in black. I will make the next slip using one of these. (And for the one after that - the gathered bodice version - I'll use the other piece.)
  
• In the end, neither the guipure nor silk swatches I hand-washed yesterday either a) bled colour or b) shrank in the least. Intriguing. The silk did change texture somewhat (not that I've ironed the swatch as yet, so the change may not be as pronounced as I'm currently imagining). Even with texture change, and slight loss of sheen, I opted to wash the rest of it by hand because I'm really not prepared to dry-clean. If fading or mega-shrinkage were in the cards, or if the fabric were to be fundamentally destroyed by water, I'd go that route. But it's just not the case. Will the silk look unaltered by this treatment? No. But you've all given me the confidence to try this method - and to recognize that there's not just one way to view silk.

So, if anyone has words of encouragement or advice (anything technical is welcome :-)) please chime in. If you've done the Colette Palette Challenges or a similar version, I'd love to hear your thoughts.

Interim Update: Prepping Delicate Fabrics

Thank you so much, everyone, for taking the time to share your experience and expertise re: caring for delicate fabrics.

Here's what I can tell you so far:

• Marina, I take your point about the challenging quality of guipure. The key (or so I think at this point) is to make sure that one cuts to the outside of the stabilizing grid that contains the lace, otherwise it really starts to fall apart.
  
• My goal is to use those grids as the anchor for sewing it some stabilizing underlining. My current options are some black power net with stretch 2-way stretch, some navy bra "wing" fabric (the stuff that makes the sides of your bra that attach to the cups on one side and the closure on the other) and some black mesh with no stretch.
• The best drape is in the power net with a firm, 2-way stretch (but I'm not sure if I should be aiming to use a stable fabric with no stretch). I just don't want the underlayer to make the very drapey lace fall stiffly. Thoughts?
• There's another alternative - that I might use the guipure to make the lace border for the gathered bodice version of the slip. This would minimize its structural element, while retaining the beautiful border.
  
• I have hand-washed 2 swatches: one of the silk and one of the lace; both are currently air drying.
• Neither appears to have bled much colour at all into the soapy water - maybe the guipure released a bit of dye.
• Both seem as dark as they were, but they're wet.
• I'll let you know about shrinkage/hand/sheen etc. when they dry.
  

Shout Out to the Experts: Prepping Delicate Fabrics

I'm mentally (and technically) preparing myself for the next iteration of the Ruby Slip. This is the one that will use guipure lace and the most lovely, navy, silk charmeuse I've ever seen. Really, the hand on this stuff is awesome.


(Brief aside, for those who are unfamiliar with guipure - count me amongst yourselves: It's a rather sassy lace - it's not backed with netting in the way of "regular" lace. The stuff I bought is quite robust. I am concerned about the volume, but I love it so much, I'm going to throw caution to the wind.)

Here is my question with rationale (broken up into numerous sections?!):

• I've looked through Claire Schaeffer's book to determine the best way to treat these fabrics. My hope was to wash them by hand before sewing as they both tend to shrink quite a bit. Alas, Ms. Schaeffer advises that dark-coloured silk tends to fade when hand-washed, and the satin shine dulls. Deal is, it will likely wreck that extremely luxe thing it's got going on.
  
• I don't like dry-cleaning. I used to dry-clean everything until I realized it was poison and it doesn't so much clean your clothes as toxify them. I also don't like paying for the pleasure. And really, I've had some clothing ruined due to harsh handling when dry-cleaned, though not recently.
• But I don't want to mess with the fabulous sheen and fall of the silk, the drape of the lace.
• How would y'all procede: suck it up and dry clean (infrequently)? Or hand wash and risk disaster?

Side question:

• Any of you who've sewn with guipure, please provide your insights. I believe it's popular in bridal tailoring (which is likely why Sherry, formerly a creator of wedding wear, was able to enlighten me about it's pedigree). What are your feelings about it? Is it a challenge, a pleasure - or something in between.